Wednesday, 18 April 2012

Artifact

In January 2012, we finished an assignment called 'Artifact' for our 'Design In Use' module. We could choose our own theme and make anything at all. I chose to make a decorative detachable collar. I wanted it be pixie collar style with my own little personal details on it.

To keep focused on our theme, colour story and influences we made mood boards (see above). I made one based on 1950's design, vintage, love and soft fabrics.
My colour scheme was a rosy pink, nudes and ivory

What is quite interesting about the fabrics i chose is that i couldn't find the colours i wanted in a textile store so I went to Penney's and found everything i needed. I cut up a top for the fabric to make the collar, p earl bracelets to add the pearl detail on the ribbon and lace trim off the nickers for the trim on the collar. Penney's really is a one-stop-shop!

I always get impatient when making a moquette but as soon as I start making it I realise all the little mistakes that can be made and couldn't be more happy that i practised first.



 I wanted the collar to have intricate detail on it, to make it look unique.
So i based my design work on a line drawing of an oak tree i had done in my previous project and vintage swirls and spirals.





I wanted the collar to have intricate detail on it, to make it look unique. So i based my design work on a line drawing of an oak tree i had done in my previous project and vintage swirls and spirals.(see below)




The final piece.

Sunday, 15 April 2012

Fashion shoot!

(Top & bottom left, bottom right) Botanic Gardens, Glasnevin
 Just before Christmas, our class was givin the oppurtunity to get involved in a photoshoot as a stylist. It was not an assignment but a chance for us to gain experience in fashion photography, styling a shoot and most importantly getting our garments proffessionally photographed. We would be working with the 1st year Graphic students, who were the photographers and the Media students as potential models for the shoot.

As the stylist, we had to provide wearables. Be it our own handmade pieces or ones we had bought. We also had to come up with a concept for the shoot and the props., By Feburary,we were set up to have meetings with our photographers and cast a model.
      My concept for the shoot was based on a previous assignment called 'Sculpture In Context'. For this assignment we had to make a sculpture to work in context with the beautiful surroundings in Botanic Garden's, Glasnevin, Dublin. I designed a maxi skirt with bright floral prints which were inspired by the flowers in the specific cite (see above) I had chosen in the gardens. I choose this glasshouse theme for the photoshoot because I thought the misty atmosphere would be quite interesting for the photographers to create and I had'nt photographed my skirt yet.
     I presented my proposed concept to Anna and Ruairi(the photographers) in our first meeting, bringing the photographs of the Botanics (above) and my fashion illustration (below). They really liked the concept and they were excited about lighting and props. At the same meeting, the media students arrived for a casting. We chose the lovely and elegant Tara. She fitted the proposed look perfectly. Soft facial features, tall and gorgeous skin. Not long after the first meeting we were doing a mock photoshoot to decide on the lighting, which props worked and the poses that would show off the garment the best.
 
Illustration of skirt on cite.


On the 8th of March 2012, we set up at 9am for our photoshoot slot from 10am till 11am. Hair and make up didn't take long because we were going for a very natural look, we wanted her to look dewy and fresh to suit the theme. A nude and pastel pink palette for her make up and an expensive body oil that Anna had kindly brought in so her body had a glow from it. We put a few waves in her hair and brushed them to make it soft and WALLA! She looked great!

The photographers wanted to try some different lighting effects. They started with a warm red light that we soon realised was not working so they tried this soft spotlight, from natural daylight which ended up working perfectly.
Ideally, we would have been better to photograph her outside or in a garden but we made great use of the area and facilities available to great this elegant look with the model. The photographers did tell me they would be using photshop to create a more outdoors environment.

Therefore I focused on getting her poses as successful as possible. I did'nt want anything too wild in her poses, just simple and ethereal. Focusing on her face and gestures, as well as showing off the skirt to it's best. pieces of chiffon material was draped above the model so that Anna could play around with some shots of the model behind the fabric. The results were beautiful in some of these close up shots (see below). It really created that soft and misty atmosphere we were looking for.

After over 100 frames, we felt as a team that we had got a few strong shots. Anna and Rauiri were pleased with the images and excited to start editing. Tara had done an amazing job and really took on the personna we were looking for. She also worked with the skirt effectively.






Chiffon fabric draped infront of Tara to create misty atmosphere.










Sunday, 15 January 2012

Fibre Art Craft Sale!!

On the 14th of December 2011, our Fibre Art class held a Christmas Craft Sale in the main building and arts department of Ballyfermot College. It started at 10am and we finished up at 4pm. The aim of this craft sale was to raise funds for our end of the year exhibition in the Farmleigh Gallery, Castleknock, Dublin 15. Fortunately, the craft sale turned out to be a great success!


It was a busy few weeks coming up to the big day as there was plenty of preparation to be done. The class had to be separated into three different groups, where each group would focus on a particular type of craft with similar materials.  I was placed in team felt, with Aisling, Tara and Kama! There was also a team thread and team print.

Our team soon got started on production in making pairs of felt balls in different sizes and colours  for our felt ball earrings. We decided to use mainly merino wool as it was a better quality compared to normal sheep's wool and resulted in a neater finish. We also added angel fibres and colourful threads to give the felt balls a bit more of a unique look.
To make felt balls requires very little equipment so it was cheap to make them and the process becomes easier after the first few times.

Once we felt we had made a sufficient amount of felt balls we washed them and left them to dry. The following day we set out to purchase hoops,needles and studs from the Beads and Bling store in Dublin City Centre in order to make these felt ball's into wearable earrings. When buying these items we stumbled upon small colourful material bags with  ribbon fastenings which we felt would work perfectly as packaging for our felt earrings.

The actual making of the earrings was quite simple. We added beads with the felt balls and became adventurous by adding more than one felt ball earring on each earring. In my opinion the earrings with more than one felt ball on each was quite effective and if i was the customer I would be drawn to that particular type.
The other teams were also successful in producing beautiful hair fasteners, broaches, bracelets, collars, cuffs, notebooks and Christmas cards.

I found this producing and selling process to be quite a learning experience. As sellers we realised that one cannot predict the exact place and time when the most potential customers will be around. It can only be a guess from research into the best location and time schedule. There are many factors that can affect the day of selling which is why I would, if given the opportunity to do it again, organise at least two selling dates. On the day of the craft sale we had a lot of potential customers asking if we would be selling on any other days so that they could be more prepared. Although even though it was just the one day we managed to sell almost all of our earrings. I think there is some truth when people say it is very rewarding to produce and sell your own work.

Monday, 29 August 2011

Degas and Me


French painter and sculptor Edgar Degas(1834-1917) is considered to be one of the major representatives of Impressionism, due to his innovating composition and his perspective analysis of motion. He also was one of the most active organizers of the Impressionist movement, even though his artistic ideas were distinct from those of his Impressionist friends.  He was born German Hilaire Edgar de Gas in Paris on july 1834, of a great and aristocratic family of bankers, rich and refined. His mother was creole, originating in New-Orleans and his father, who was an art lover, allows his son to arrange a workshop in his own house.

Degas explored a more realistic endenvour in his early work concentrating on comtempory life and everday experiences, this interest created an almost immediate connection with the viewers and the individuals presented in his work. Rather than painting  perpetuate idealized images of mythological figures and historical subjects resulted in a more clearer depiction of the people;their identities and lives of that time.His interiors and portraits, for example, reveal the ambiguities inherent in human relationships.

When Edgar Degas’ eyesight began to fail him, he began to turn to sculpture. His bronze statues of horses and ballet dancers exemplify the same sense of movement and lyricism as did his paintings, including his famous (Figure 15)‘Little Dancer of Fourteen Years’.

Degas allowed very few people into his studio. Only, his dealer and other close friends knew about his small-sculpted studies – another of his unknown interests.

“It’s quite true that Degas has spent a good deal of time, not only in the latter years of his life, but for the past fifty years, in modeling in clay. Thus, as far as I can remember – or at is to say, perhaps forty years – whenever I called on Degas I was almost as sure to find him modeling in clay as painting.” Paul Durand-Ruel www.askdegas.com 2010




(Figure 15)                                           (Figure 16)

(Figure 15-Back) &(Figure 16-Front)Little Dancer of Fourteen Years (1880-81).

(Figure 17) Degas,‘Spanish Dancer’,1895.

The little sculptures seem to convey his search for muscular accuracy, whether a model is at rest or creating a movement. To capture movement in sculpture is what impressed Renoir.

“That is Degas’ greatness: movement in the French style.” – Pierre Auguste Renoir


When viewing the sculpture, (Figure 15) Degas potrays that theme of vulnerability in a woman by making them individually rather than with a dance partner. This again could also indicate his compassion for the lonely woman in society at that time.





 (Figures 18 & 19) ‘Beyond The Basics’ By Megan Harley-Peters, Ballet Tutu inspired dress,Junk Kouture Semi Finalists Fashion Show, April 2011

(Figures 18 and 19)’Beyond The Basics’ is a dress designed and made by me for the Junk Kouture Competition Ireland 2011. Like Degas I too was inspired by the ballet and their costumes in my own work. Similarly I studied the woman’s body form in order to create the tight letard fabric over the body but using melted plastic insteaad of the typical fabric in the costume such as (Figure 15&16) Little Dancer of Fourteen Years.
Degas’s compassion for a woman’s identity can be seen within all of his work. The angles of the figures, the subject matter, their gestures, the media and lighting all create a sense of admiration for woman and a true fascination of their everyday lifestyle
However what is particularly interesting is that Degas never married and had no children.
Almost totally blind in the last years of his life, Edgar Degas died an isolated eccentric on September 27, 1917, in Paris’.

Bibligography
(Online) Available from:http://www.edgar-degas.org/biography.html[Accessed 4 June 2011].
 [Online] Available from:http://www.impressionniste.net/degas_edgar.htm[Accessed 4 June 2011].
  • (Figure 15)‘Little Dancer of Fourteen Years (1880-81). Front-(Online) (Updated 16 January 2011)Available From:http://entertainment.howstuffworks.com/arts/artwork/paintings-by-hilaire-germain-edgar-degas9.htm
    [Accessed 8 June 2011].
  • (Figure 16) 'Little Dancer of Fourteen Years (1880-81). Back-(Online) (Updated April 2010)Available From:http://chulie.wordpress.com/2008/06/30/degas-fourteen-year-old-little-dancer/[Accessed 8 June 2011].
  • Quote by 'Paul Durand-Ruel' (Online)(Updated Feburary 2004)Available from:http://www.askdegas.com/[Accessed 8 June 2011].
  • Quote by 'Pierre Auguste Renoir' (Online) (Updated Feburary 2004)Available from:www.askdegas.com/[Accessed 8 June 2011].
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